Mr. Lee boasts a diverse repertoire that only someone with his unique combination of beautiful, resonant vocalism and stunning dramatic interpretation could deliver. In addition to roles already mentioned, Mr. Lee has sung Sharpless Madama Butterfly with Amore Opera, Escamillo Carmen and Orest Elektra with Opera Manhattan, Frank Chambers in Paulus' The Postman Always Rings Twice with Opera Avanti, and Herald in Britten's The Burning Fiery Furnace with Atlantic Vocal Society. Other engagements for the Greenville, South Carolina native have included Amonasro in Aida with Lyric Artists of New York, Morelos & Jackson in Lucien Lambert's La Flamenca with OperaCréole, and his debut under the baton of Arie van Beek with L'Orchestre de Chambre de Genève as Sam in Gershwin's Blue Monday.

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Not only do audiences rise in ovation, but even the toughest critics love Barrington Lee. The New York Times described him as portraying Priest Fojo with "passionate commitment"; Opera News praised his "impressive double duty as the Commendatore and Masetto," saying that he "slip[ed] so completely into each character that only his round, resonant bass-baritone gave him away." Indeed, Barrington Lee's performances are impressive and memorable. 

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